Click here for our photo highlights page from the 6/18/09 Regeneration Tour show at The Fillmore in NYC
Regeneration Tour 2009 rolled into New York on June 18th in front of a standing room only crowd at the Fillmore. This year’s lineup featured The Cutting Crew, Wang Chung, Terri Nunn & Berlin and ABC. The show show boasts great performances from top classic alternative artists with some new music and several interesting surprises.
Leading off the concert was Nick Van Eede and his new incarnation of the Cutting Crew. Van Eede and company brought with them a sense of humor throughout his set from playing along with some sound adjustment problems in the beginning to kidding around with the audience about their wanting to hear the more familiar songs. The band seemed to have a loose attitude on stage and played as if they were a free-wheeling 70s classic rock band. Four songs in, however, Van Eede reminded everyone at the Fillmore of why he is considered one of the better balladeers of the 1980s with his early hit “I’ve Been In Love Before.” This was after one of the band’s deeper cuts and a selection from their forthcoming Spectra records album (due out this fall) called “Shot of Democracy,” as the band tool a political tone here — a turn from their more romantic approach of the 80s and 90s. They saved their two most well-known hits for last as they played “One For the Mockingbird” before closing out with “I Just Died In Your Arms Last Night; the latter featured a more classic rock-reminiscent surprise guitar solo by Asif Illyas.
Wang Chung to the stage next with their first appearance together in New York since 1987. Jack Hues and Nick Feldman reunited and are set to release their new album, Abducted by the 80s, in 2010. During our interview a few weeks ago, Hues indicated he and Feldmnan would take a jeans-and-acoustic approach to the Regeneration Tour; with that, the duo delivered a new hybrid of the Wang Chung fans know best and the eclectic musical backgrounds of both Hues and Feldman. They led off with “Don’t Let Go,” performing it with a blues/rock influence and a heavy guitar sound. Keyboards were again exchanged for strings in “Let’s Go,” which took surprisingly well to the different sound. The set seemed to be heavily influenced by the twosome’s post-Wang Chung projects, including Hues’ new jazz band, The Quartet. Old time fans, however, might remember the Huang Chung days of more guitar and percussion-oriented sound ahead of the keyboard stylings of the Points and Mosaic albums.
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